A new book reflects on why a hunger strike is the most culturally resonant political protest
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On February 25, 2024, Aaron Bushnell, a 25-year-old US Air Force serviceman, walked to the Israeli Embassy in Washington, DC, dressed in military uniform, placed his phone on the ground to record himself, doused his body with flammable liquid, and set himself on fire. In a live broadcast before he immolated himself, Bushnell declared, “I will no longer be complicit in genocide. I’m about to engage in an extreme act of protest, but compared to what people have been experiencing in Palestine at the hands of their colonisers, it’s not extreme at all. This is what our ruling class has decided will be normal. Free Palestine.” He died hours later.
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Bushnell’s act forced a moral and emotional confrontation that news cycles and diplomatic statements could not. It resonated globally because of the shocking nature of on-camera self-immolation but also because of its political clarity. His body in flames brought an immediacy to the spectacle of witnessing. It indicted Israel’s targeted bombings of civilians in the Gaza genocide and US complicity at a time when news rooms were making abstract arguments about a “complicated dispute”.