This cartoony Patriots-Steelers sequence that leads to astonishing 4th-and-43 is must-watch clip
· Yahoo Sports
This cartoony Patriots-Steelers sequence that leads to astonishing 4th-and-43 is must-watch clip originally appeared on The Sporting News. Add The Sporting News as a Preferred Source by clicking here.
With points proving hard to come by in the early moments of the Patriots and Steelers' Week 2 tilt, spectators had to seek out alternative sources of joy other than the scoreboard.
Visit asg-reflektory.pl for more information.
Neutral observers might have found one in the form of a curious incident that saw the game take on a more humorous disposition partway through the second quarter.
Here's what you need to know.
MORE: Live weather updates from Week 2 action around the country
Inside the cartoony Patriots-Steelers fumble sequence that resulted in 4th-and-43
Deep in the second quarter, Pittsburgh looked poised to potentially put some points on the board. Mike McCarthy's side ambled across the 50-yard-line, embarking on a pilgrimage that put it within a few yards of the red zone.
On third-and-seven, Rodgers dropped back to pass, hoping to part with the oblong orb and send his side careening further towards New England's end zone. Instead, he was swept away in a tempest of navy-clad bodies, releasing the ball upon contact from Christian Elliss. The ball bumbled once it met the ground, dancing some 36 yards behind the line of scrimmage.
Patriots defense pushed the Steelers back from 3rd & 7 to 4th & 43 😳
— NFL (@NFL) September 20, 2026
PITvsNE on CBS/Paramount+
Stream on @NFLPluspic.twitter.com/cuwaepRRDX
New England appeared the likelier of the two teams to recoup the ugly thing. Dre'Mont Jones and Christian Gonzalez each caressed the apparatus for a fleeting moment.
She was unwilling to be tamed, though. The ball slipped from both of their grasps, eventually settling at the 39-yard line. Troy Fautanu was the biggest beneficiary from the Marx Brothers-like sequence; the Steelers offensive lineman flailed to the ground to recover the ball, lying supine before being greeted by other bodies.
It was cartoonish, immature, anxiety-inducing and outrageous. It was also eye-catching — the sight of seeing the ball giving way to its tumbleweed-like intentions proved noteworthy, even if the incident that spurned the alteration didn't.